The work of Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in UK and Irish theaters from 17 November.
